The Released Rebel Prisoner. 1865 (Poems from Battle Pieces)

The Released Rebel Prisoner. 1865 (Poems from Ba

This poem explores the theme of a former rebel prisoner's return to society after being released from prison. The speaker reflects on the prisoner's experiences and emotions, highlighting the difficulties he faces in reintegrating into civilian life. The poem touches on the idea that the prisoner has been forever changed by his time in captivity, and that he struggles to reconcile his past actions with his newfound freedom. The speaker suggests that the prisoner is haunted by memories of his fellow prisoners who did not survive their imprisonment. Throughout the poem, Melville uses imagery and symbolism to convey the sense of disillusionment and disorientation felt by the released prisoner. The poem also raises questions about the nature of guilt, redemption, and the human cost of war. The speaker's tone is one of empathy and understanding, but also of detachment and observation. The poem does not offer a clear resolution or message, instead leaving the reader to ponder the complexities of the released prisoner's experience.

By Herman Melville · First published 1866 · Genre: Poetry, War Literature, Historical · 361 words

First lines

Armies he's seen-the herds of war, / But never such swarms of men / As now in the Nineveh of the North- / How mad the Rebellion then!

And yet but dimly he divines / The depth of that deceit, / And superstitution of vast pride / Humbled to such defeat.

What this Textopian page supports

The Released Rebel Prisoner. 1865 (Poems from Battle Pieces) is listed on Textopian as a poem by Herman Melville, dated 1866 CE.

This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.

Good citation fit

Similar titles

Genres

Tags

American Literature · Civil War Poetry · Rebel Prisoner · Poetry Collection · Battle Pieces · War Poetry · 19th Century American Poetry · Melancholy · Loss of Innocence · Coming of Age · Social Commentary · Historical Context

More by Herman Melville