Whom the Gods Destroyed

Name: Whom the Gods Destroyed
Author: Josephine Daskam Bacon

The novel revolves around a young woman who returns to her family's ancestral home after a long absence. She becomes embroiled in the lives of the people living there and uncovers dark secrets about their past. The story explores themes of identity, morality, and the destructive power of unchecked emotions.

By Josephine Daskam Bacon · First published 1922 · Genre: Literary Fiction, Drama, Psychological Fiction · 3 chapters · 5,568 words

First lines

The most high gods have decided that too much power over the hearts of men shall not be given to other men, for then the givers are forgotten in the gift and the smoke dies away from the altars. So they kill the men who play with souls. According to an ancient saying, before they destroy the victim they make him mad. There are, however, modifications of the process. Occasionally they make him drunk.

What this Textopian page supports

Whom the Gods Destroyed is listed on Textopian as a short story by Josephine Daskam Bacon, dated 1922 CE.

This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.

Work type: Short story
Author: Josephine Daskam Bacon
Date: 1922 CE
Language: English
Genres: Literary Fiction, Drama, Psychological Fiction, Romance, Tragedy
Length: 5,568 words
Structure: 3 chapters, 69 paragraphs
Reading fit: Very Easy (5th Grade or below)

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Work identity for Whom the Gods Destroyed by Josephine Daskam Bacon
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Discussion starters

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Similar titles

Genres

Literary Fiction — The work explores deep themes of artistry, addiction, and the human condition through nuanced character development and rich prose.
Drama — The narrative centers around intense emotional experiences and conflicts, particularly related to the protagonist's struggles with addiction and artistic expression.
Psychological Fiction — The story delves into the psychological states of the characters, particularly the effects of addiction and the complexities of genius.
Romance — There are elements of romantic tension and emotional connections between characters, particularly in the context of music and shared experiences.