
The poem presents a personification of Night, depicted as a mystical figure who arrives with two children: Sleep and Death. Sleep is portrayed as a beloved, gentle presence, adorned with poppies, symbolizing rest and tranquility. In contrast, Death is depicted as a lean, cold figure, embodying sorrow and inevitability. The speaker expresses a deep connection to Sleep, recalling moments of solace found in her embrace, which calms the turmoil of life. As Night is welcomed, the speaker invites her to descend to Earth, suggesting a desire for her soothing presence. The imagery evokes a sense of wonder, with references to meteors and stars, emphasizing Night's celestial nature. The poem contrasts the grandeur of Night's stormy aspects with her serene, nurturing qualities, ultimately portraying her as a divine figure of love and gentleness. The speaker reflects on the duality of Night, recognizing her as both a source of dreams and a reminder of mortality. The interplay between Sleep and Death highlights the complexities of existence, where rest and finality coexist. The poem concludes with an affirmation of Night's role as a comforting force, bridging the gap between the earthly and the celestial, and offering a sense of peace amidst life's uncertainties.
By Madison Cawein · First published 1902 · Genre: Poetry, Romanticism, Symbolism · 432 words
Like some sad spirit from an unknown shore Thou comest with two children in thine arms: Flushed, poppied Sleep, whom mortals aye adore, Her flowing raiment sculptured to her charms. Soft on thy bosom in pure baby rest Clasped as a fair white rose in musky nest; But on thy other, like a thought of woe, Her brother, lean, cold Death doth thin recline, To thee as dear as she, thy maid divine, Whose frowsy hair his hectic breathings blow In poppied ringlets billowing all her marble brow.
An Address to Night is listed on Textopian as a poem by Madison Cawein, dated 1902 CE.
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Poetry · Nature · Night · Solitude · Reflection · Mortality · Existentialism · Philosophy · Symbolism · Imagery · Metaphor · Personification