
The poem explores the transition from day to night, personifying the day as a deceased king, celebrated and mourned. The imagery evokes a sense of reverence and beauty in the twilight, where the day is laid to rest in a grand sepulcher made of clouds and gold. The new moon acts as a censer, symbolizing the sacredness of this moment, while stars emerge like a celestial choir, enhancing the solemnity of the scene. As night approaches, it is depicted as a serene nun, calm and fair, kneeling in prayer at the feet of the dead day. This personification emphasizes the tranquility and introspection that night brings, contrasting with the vibrancy of the day. The poem captures the essence of love and longing, suggesting that in the stillness of night, one can connect with deeper emotions and the mystical aspects of existence. The themes of mortality, beauty, and the cyclical nature of time are woven throughout, inviting reflection on the transient nature of life and the profound experiences that accompany its passage. The imagery of dew, fragrance, and the ethereal quality of night evokes a sense of nostalgia and reverence for what has passed, while also hinting at the promise of renewal with the coming dawn.
By Madison Cawein · First published 1902 · Genre: Lyric Poetry, Romanticism, Symbolism · 194 words
/ The west builds high a sepulcher / Of cloudy granite and of gold, / Where twilight's priestly hours inter / The Day like some great king of old.
/ A censer, rimmed with silver fire, / The new moon swings above his tomb; / While, organ-stops of God's own choir, / Star after star throbs in the gloom.
/ And Night draws near, the sadly sweet -- / A nun whose face is calm and fair -- / And kneeling at the dead Day's feet / Her soul goes up in mists like prayer.
/ In prayer, we feel through dewy gleam / And flowery fragrance, and -- above / All earth -- the ecstasy and dream / That haunt the mystic heart of love.
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The Dead Day is listed on Textopian as a poem by Madison Cawein, dated 1902 CE.
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