Tyranny

Tyranny by Madison Cawein (1909)

The poem explores themes of silence, oppression, and the frustration of unexpressed thoughts and emotions. It begins with a lamentation over the cruelty of those who remain silent, suggesting that their refusal to communicate can be more painful than overt hostility. The speaker expresses a deep yearning for connection and understanding, highlighting the torment of being surrounded by individuals who are physically present yet emotionally and intellectually absent. The imagery of "fast lips" and "sealed eyes" conveys a sense of frustration and isolation. The speaker feels exiled, as if their thoughts and feelings are trapped, unable to reach others. This silence is depicted as a form of tyranny, where the lack of communication stifles the soul and prevents genuine interaction. The poem contrasts the beauty of angelic utterances with the harshness of human suffering, emphasizing the desire for a deeper, more meaningful exchange. The speaker longs for the ability to break through the barriers of silence and connect with others on a profound level. The work ultimately reflects on the power of words and the pain of unvoiced sentiments, illustrating how silence can be a form of oppression that hinders emotional and spiritual growth.

By Madison Cawein · First published 1909 · Genre: Poetry, Lyric, Philosophical · 139 words

First lines

There is not aught more merciless Than such fast lips that will not speak, That stir not if I curse or bless A God that made them weak.

More madd'ning to one there is naught, Than such white eyelids sealed on eyes, Eyes vacant of the thing named thought, An exile in the skies.

Ah, silent tongue! ah, ear so dull! How angel utterances low Have wooed you! they more beautiful Than mortal harsh with woe!

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Tyranny is listed on Textopian as a poem by Madison Cawein, dated 1909 CE.

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Poetry · American Literature · 19th Century · Free Verse · Symbolism · Nature Imagery · Mortality · Existentialism · Philosophy · Psychological Insight · Imagery · Metaphor

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