
The poem reflects on the themes of life, death, and the nature of peace. It begins with a contemplation of a woman who has passed away, her struggles with fear and shame now at an end. The speaker observes her serene beauty in death, suggesting that her calmness is a form of healing, contrasting with the turmoil she experienced in life. Despite the tranquility that death brings, the speaker questions whether this peace is truly the ultimate goal of life. The poem explores the idea that while death offers a release from suffering, it also raises questions about the fulfillment of life’s desires and aspirations. The speaker contrasts the stillness of death with the vibrancy and hope of youth, suggesting that the joys and dreams of the living are rooted in the experiences of life, not in the stillness of the grave. The poem emphasizes that youth seeks a bliss that is alive and vibrant, not one that is associated with death. It suggests that the essence of life is found in its struggles and aspirations, rather than in the calm that follows death. The speaker ultimately concludes that while calmness may be a form of peace, it is not the ultimate desire of youth, which yearns for life, vitality, and the promise of future experiences.
By Matthew Arnold · First published 1852 · Genre: Lyric Poetry, Philosophical Poetry, Romanticism · 418 words
Yes, now the longing is o'erpast, Which, dogg'd by fear and fought by shame, Shook her weak bosom day and night, Consum'd her beauty like a flame, And dimm'd it like the desert blast.
And though the curtains hide her face, Yet were it lifted to the light The sweet expression of her brow Would charm the gazer, till his thought Eras'd the ravages of time, Fill'd up the hollow cheek, and brought A freshness back as of her prime --
Lines Written by a Death-Bed is listed on Textopian as a poem by Matthew Arnold, dated 1852 CE.
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Poetry · Death · Mortality · Reflection · Philosophy · Existentialism · Literary Criticism · Symbolism · Imagery · Metaphor · Irony · Tone