A Point to be Remembered by very Eminent Men 191
The work explores the profound impact of first encounters with eminent figures, particularly in literature. It emphasizes the emotional resonance of these moments, often marked by a mix of reverence and shock. The author reflects on the nature of hero-worship, suggesting that literary figures evoke a unique sensitivity in their admirers, which may not be as pronounced in other fields. The narrative discusses the ideal conditions for such encounters, arguing that the setting plays a crucial role in amplifying the experience. A private, intimate space is preferred over public settings, as it fosters a sense of personal connection. The author posits that the first sight of a hero should occur when they enter a room, rather than being present upon the admirer’s arrival. This approach heightens the emotional impact, allowing the worshipper to focus entirely on the figure's entrance, which should be framed as a significant event. The text advises that the eminent individual should not rush their entry; a brief waiting period enhances anticipation and allows the admirer to build up their emotional state. The author draws on theatrical principles, likening the entry of a hero to the dramatic reveal of a principal actor on stage, where the buildup is essential for maximum effect. The work also touches on the importance of preparation for both parties. The admirer should ideally have a letter of introduction, which serves as a bridge to the encounter, while the hero should be aware of the significance of their presence and the impact it has on the young admirer. The author encourages the eminent figures to embrace this role, recognizing that their own youthful experiences of hero-worship can inform their interactions. Ultimately, the piece serves as a guide for both admirers and the admired, highlighting the delicate interplay of expectation, setting, and emotional resonance in the memorable moments of first encounters with greatness.
By Max Beerbohm · First published 1918 · Genre: Essay, Autobiographical, Literary Criticism · 3,055 words
First lines
One of the things a man best remembers in later years is the first time he set eyes on some illustrious elder whose achievements had already inflamed him to special reverence. In almost every autobiography you will find recorded the thrill of that first sight. With the thrill, perhaps, there was a slight shock. Great men are but life-sized. Most of them, indeed, are rather short. No matter to hero-worshipping youth. The shock did but swell the thrill. It did but enlarge the wonder that this was the man himself, the man who --
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A Point to be Remembered by very Eminent Men 1918 is listed on Textopian as a short story by Max Beerbohm, dated 1918 CE.
This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.
- Work type: Short story
- Author: Max Beerbohm
- Date: 1918 CE
- Language: English
- Genres: Essay, Autobiographical, Literary Criticism, Philosophical, Humor
- Length: 3,055 words
- Structure: 1 section, 15 paragraphs
- Reading fit: Fairly Easy (7th Grade)
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Genres
- Essay — The work is a reflective essay exploring the nature of hero-worship and the impact of first encounters with eminent figures.
- Autobiographical — The text draws on personal experiences and observations, characteristic of autobiographical writing.
- Literary Criticism — It critiques the conventions of autobiographical writing and the portrayal of literary figures.
- Philosophical — The work delves into the philosophical implications of admiration and perception of greatness.
Tags
Satire · Humor · Social Commentary · Politics · History · Literary Fiction · English Literature · 20th Century Literature · World War I · War Literature · Anti-War · Critique of Society