The epilogue serves as a commentary on the nature of theater and its audience, drawing parallels between the stage and the moon as realms where lost senses can be found. It suggests that both spaces attract individuals seeking to reclaim their wits, highlighting the absurdities of society. Various characters, including rakes, coquettes, and gamesters, are depicted as coming to the theater to escape their follies and regain a sense of self. The author critiques the audience's preference for high-society themes, noting that without the trappings of nobility, a work may struggle for acceptance. The piece emphasizes the importance of authenticity and the connection to everyday life, suggesting that true art reflects the human experience, regardless of social status. Ultimately, it underscores the idea that the theater is a mirror of society, where both the absurd and the genuine coexist, and where the author, despite his perceived shortcomings, seeks to engage with the audience on a fundamental level.
By Oliver Goldsmith · First published 1773 · Genre: Comedy, Drama, Satire