"My Mocking-Bird" is a charming personal essay by Pansy, included in the collection *Danger Cliff, and Other Stories*, in which the author describes her pet mocking-bird, affectionately named Mornie, and reflects on the nature, habits, and character of the species. The piece opens with a candid acknowledgment that Mornie is not a beautiful bird. His coloring is plain and dull, consisting of ashy brown on his back, near-black wings and tail, and black legs and bill, with only the faintest brownish-tinged white on his breast. He bears no bright markings, no yellow tips, no red ruffle at his throat. The author contrasts him with a goldfinch sharing the same room, a vivid and vain little creature with brilliant yellow wings who loves to admire herself in a looking-glass. Yet despite the goldfinch's obvious vanity and awareness of her own beauty, she becomes entirely still and rapt whenever Mornie begins to sing, retreating to the corner of her cage and listening without moving a feather, as if she would trade all her fine coloring for the gift of such a voice. Mornie's singing is described with evident delight and wonder. He can mimic a canary, a wood-robin singing on a spring morning, or the natural song of the goldfinch's own species, shifting from one style to another with swift and effortless fluency. His gifts extend beyond musical mimicry. He can cackle precisely like a hen, repeatedly sending the household's young errand girl, Mollie, running to the henhouse expecting to collect a fresh egg. He imitates the scraping sound of a saw so convincingly that visitors might believe the handyman had moved his work indoors. Even in the middle of the night he sometimes wakes and sings, but his nocturnal song is entirely different in character, stripped of all mischief and mockery. At night he sings only his own soft, plaintive note, as though loneliness or homesickness touches him when the household is dark and quiet. The author describes Mornie's dietary requirements with some care, noting that unlike the goldfinch he is a fairly demanding and dainty eater. He requires finely chopped raw meat to maintain his health, along with raw meal stirred into milk and fresh fruit in season. Strawberries are his particular favorite, though he accepts other fruits willingly enough when strawberries are unavailable. He is by no means exclusively refined in his tastes, however, and considers a fat worm or a large grasshopper or beetle a special treat. Pansy broadens the scope of the essay to note that Mornie's behavior and temperament are typical of mocking-birds generally, and she offers this as practical guidance to any reader considering one as a pet. She describes the species as remarkably courageous in defense of their nests and young, known to attack and kill snakes by striking at their eyes and heads, and capable of driving away cats that venture too close to a nest. The author's own cat, Tabby, has learned through some private negotiation with Mornie to give him a wide berth. Mornie also barks convincingly like a dog, and Tabby, who is greatly afraid of dogs, spent considerable time in distress after Mornie first arrived in the household, arching her back in alarm at the sound before gradually learning that the bark came from the caged bird. Now when startled from sleep into the old fear, she quickly remembers her mistake and slinks away in apparent embarrassment. The essay closes on a gently reflective and devotional note. Pansy observes with a trace of sympathy that Mornie, despite all his astonishing abilities to mimic, has never managed to speak a human word. She finds something touching in the thought that a creature who knows and does so much cannot produce a single intelligible word. Yet she concludes that both birds, the plain and gifted mocking-bird and the beautiful goldfinch, give her pleasure throughout the day, each doing cheerfully and well exactly what it was made to do, fulfilling without reason or soul the purpose God intended for it.
By Pansy · First published 1884 · Genre: Children's Literature, Short Story Collection, Moral Fiction