We Crown Thee King
The narrative follows Nabendu Sekhar, a young man caught between the expectations of his family and the societal pressures of colonial India. His father, Purnendu Sekhar, was a man of status, having gained recognition among English officials, but his death leaves Nabendu to navigate his own path. Nabendu marries Arunlekha, the daughter of a family with different values, particularly represented by her brother Pramathanath, who rejects the allure of British society and embraces his Indian identity. As Nabendu attempts to impress his in-laws, he struggles with his desire for recognition from the British, leading to a series of humiliating experiences. His sisters-in-law mock his aspirations, and he finds himself torn between the admiration of his family and the superficial respect he receives from the British. Pramathanath's rejection of colonial values serves as a counterpoint to Nabendu's ambitions, highlighting the internal conflict faced by many Indians during this period. Nabendu's journey takes a turn when he visits his sister-in-law Labanya, who embodies a more progressive attitude. He begins to appreciate the value of familial bonds over colonial validation. However, his past actions catch up with him when he inadvertently becomes embroiled in political affairs, subscribing to the Congress party and gaining attention from both the British and Indian communities. Despite his initial embarrassment and confusion, Nabendu's newfound role as a Congress supporter elevates his status, leading to a public celebration of his contributions. However, the irony of his situation is palpable; he is celebrated for actions that contradict his earlier desires for British approval. The story culminates in a mock crowning ceremony by his family, symbolizing the absurdity of his quest for recognition and the complexities of identity in a colonial context. Ultimately, the work critiques the superficial nature of social status and the struggle for self-identity amidst colonial pressures, leaving readers to ponder the true meaning of honor and belonging in a rapidly changing society.
By Rabindranath Tagore · First published 1914 · Genre: Literary Fiction, Social Commentary, Drama · 5,230 words
First lines
When Nabendu Sekhar was wedded to Arunlekha, the God of marriage smiled from behind the sacrificial fire. Alas! what is sport for the gods is not always a joke to us poor mortals.
What this Textopian page supports
We Crown Thee King is listed on Textopian as a novel by Rabindranath Tagore, dated 1914 CE.
This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.
- Work type: Novel
- Author: Rabindranath Tagore
- Date: 1914 CE
- Language: English
- Genres: Literary Fiction, Social Commentary, Drama, Historical Fiction, Satire
- Length: 5,230 words
- Structure: 1 section, 89 paragraphs
- Reading fit: Fairly Easy (7th Grade)
Good citation fit
- Work identity for We Crown Thee King by Rabindranath Tagore
- Canonical title URL and first readable passage URL
- Genre and topic classification from the Textopian catalog
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Discussion starters
- What should a reader notice first when entering We Crown Thee King?
- How does this novel by Rabindranath Tagore fit its genre, period, or classroom use?
- Where does Literary Fiction first become important in the reading?
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Genres
- Literary Fiction — The book explores complex themes of identity, cultural conflict, and societal expectations through nuanced character development and rich prose.
- Social Commentary — It critiques colonialism and the dynamics between Indian society and British colonial power, reflecting on the characters' struggles with their identities.
- Drama — The narrative is driven by interpersonal conflicts and emotional struggles, creating a dramatic tension that engages the reader.
- Historical Fiction — Set against the backdrop of British India, it incorporates historical elements that inform the characters' experiences and societal roles.
Tags
Poetry · Bengali Literature · Nationalism · Freedom Struggle · Indian Independence Movement · Social Justice · Human Rights · Philosophy · Spirituality · Mythology · Folklore · Cultural Heritage