
In a display case, two pens symbolize contrasting societal values: a luxurious gold pen and a humble steel pen. The gold pen, admired by passersby, boasts of its status and the power it wields in signing important documents for the elite, while the steel pen, overlooked and modest, represents the voice of the common people. The gold pen revels in its ability to sign bank notes and decrees, asserting its superiority and the honor it brings to its users. The steel pen, however, challenges this notion, emphasizing its true purpose: to empower great minds and facilitate the expression of revolutionary ideas. It rejects the gold pen's association with wealth and tyranny, asserting that its worth lies in its ability to inspire change and advocate for justice. The steel pen finds pride in its role as a tool for the oppressed, capable of inciting rebellion and promoting liberty. As the dialogue unfolds, the steel pen articulates its belief in the transformative power of writing, contrasting its humble origins with the gold pen's elitism. It argues that true greatness comes from serving the people and championing their struggles, rather than endorsing the status quo. The steel pen's passionate defense of its purpose highlights the divide between the bourgeois and the proletariat, illustrating the broader themes of class struggle and social justice. The conversation is abruptly interrupted by an accident, symbolizing the chaos of the world outside the display case. This moment serves as a reminder of the ongoing conflict between the forces of oppression and the fight for liberation, encapsulating the essence of the struggle between the two pens. The narrative ultimately underscores the importance of perspective in understanding the value of tools, whether they be instruments of power or instruments of change.
By Ricardo Flores Magón · First published 1907 · Genre: Political Allegory, Social Commentary, Literary Fiction · 984 words
Behind the window of a display case, the gold pen and the steel pen waited for someone to buy them. The gold pen rested indolently in a rich jewel case that increased its glamour; the steel pen confirmed its modesty at the base of a cardboard casket. Pedestrians, poor and rich, old and young, passed again and again by the display case, casting greedy glances towards the gold pen; nobody looked at the steel one. The sun crashed its rays upon the gold pen, which gleamed with sparkles like glowing embers in its chenille cushion; but it was unable to impress even a dim tone of beauty upon the dark proletarian pen. Regarding its poor brother with pity, the rich pen said:
The Two Pens is listed on Textopian as a short story by Ricardo Flores Magón, dated 1907 CE.
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Revolutionary · Mexican · Anarchist · Literary · Fictional · Autobiographical · Memoir · Socialism · Politics · Resistance · Rebellion · Freedom