The Mirror Speaks

The Mirror Speaks

The poem presents the perspective of a mirror, crafted with care and hung in a grand setting, where it observes the world around it. Initially, it reflects the beauty and elegance of the people who pass by, particularly during moments of celebration, such as when a singer performs. Despite its position, the mirror experiences a profound silence, unable to hear the music or the conversations of those it reflects. As time passes, the mirror becomes a mere object, forgotten and stored away, witnessing only the mundane activities of dealers who handle it. Eventually, it is rediscovered and placed in a new setting, where it anticipates the arrival of a significant figure, referred to as the "Prince of Men." This anticipation suggests a longing for connection and recognition, highlighting the mirror's role as a silent observer of human experiences, beauty, and the passage of time. The work explores themes of perception, the nature of beauty, and the contrast between silence and sound, as well as the longing for meaningful interaction. The mirror serves as a metaphor for the human condition, reflecting not just physical appearances but also the deeper emotional and social dynamics at play.

By Robert Louis Stevenson · First published 1888 · Genre: Poetry, Literary Fiction, Symbolism · 238 words

First lines

WHERE the bells peal far at sea Cunning fingers fashioned me.

There on palace walls I hung While that Consuelo sung; But I heard, though I listened well, Never a note, never a trill, Never a beat of the chiming bell.

There I hung and looked, and there In my gray face, faces fair Shone from under shining hair.

Well I saw the poising head, But the lips moved and nothing said; And when lights were in the hall, Silent moved the dancers all.

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The Mirror Speaks is listed on Textopian as a poem by Robert Louis Stevenson, dated 1888 CE.

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reflection · silence · art · beauty · memory · time · perception · identity · loneliness · observation · elegance · transience

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