
The work examines the intense egotism present in the poetry of Milton, suggesting that his characters—Satan, Adam, Raphael, and Eve—are reflections of himself. This egotism is portrayed as a revelation of spirit, enhancing the reading experience. The author also discusses Claudian, highlighting his role as a bridge between classical and modern poetic sensibilities, noting his ability to express the same thought in varied language, particularly in his work "Phoenix." The critique extends to Sterne, particularly the first part of "Tristram Shandy," which is praised for its individuality and delightful characters, such as Trim and the Shandies. However, the latter part of the work and "Sentimental Journey" are dismissed as lacking substance and being overly affected. The author acknowledges Sterne's moral shortcomings but argues that they are unlikely to negatively influence readers who are already predisposed to such views. The oddities and learned quirks in Sterne's writing are seen as mitigating factors, although the work is deemed unsuitable for women due to its content. The author maintains a clear distinction between the genuine depth of "Tristram Shandy" and the superficiality of "Sentimental Journey," emphasizing the former's truth and reality.
By Samuel Taylor Coleridge · First published 1811 · Genre: Literary Criticism, Philosophical Literature, Poetry Analysis · 639 words
In the Paradise Lost -- indeed in every one of his poems -- it is Milton himself whom you see; his Satan, his Adam, his Raphael, almost his Eve -- are all John Milton; and it is a sense of this intense egotism that gives me the greatest pleasure in reading Milton's works. The egotism of such a man is a revelation of spirit.
Milton's Egotism and Sterne is listed on Textopian as an essay by Samuel Taylor Coleridge, dated 1811 CE.
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Milton · Sterne · egotism · literary analysis · Paradise Lost · subjective poetry · objective poetry · Claudian · modernism · classical literature · Tristram Shandy · Sentimental Journey