
The narrative follows Arthur Lawford, a man who, after a bout of illness, finds himself wandering into an old churchyard where he experiences a profound and unsettling transformation. The story begins with Lawford reflecting on his life and the melancholy that has settled over him. He is recovering from an illness and feels a sense of detachment from his surroundings, which leads him to the graveyard of Widderstone. As he explores the graveyard, he becomes fixated on the tombstone of Nicholas Sabathier, a stranger who died by suicide. This encounter triggers a deep introspection about life, death, and the nature of existence. Lawford's thoughts spiral into a contemplation of his own identity and the meaning of his life, leading to a moment of existential crisis. After his visit to the graveyard, Lawford returns home, but he is not the same man he was before. His wife, Sheila, notices a change in him, and the couple's relationship becomes strained as they grapple with the implications of his transformation. Lawford's appearance has altered significantly, and he struggles to reconcile his new identity with the expectations of those around him, including his wife and daughter, Alice. The story delves into themes of identity, the nature of reality, and the impact of societal perceptions on personal relationships. Lawford's internal conflict intensifies as he navigates the reactions of his family and friends, who are bewildered by his transformation. Sheila, in particular, is torn between her love for her husband and the fear of the unknown that his change represents. As the narrative unfolds, Lawford seeks answers and understanding, leading him back to the graveyard in search of clarity. He encounters a stranger who shares insights about the nature of existence and the possibility of change. This conversation deepens Lawford's existential musings and propels him toward a confrontation with his own fears and desires. Ultimately, the story culminates in a poignant exploration of the human condition, the struggle for self-acceptance, and the quest for meaning in a world that often feels chaotic and indifferent. Lawford's journey becomes a metaphor for the universal search for identity and belonging, as he grapples with the complexities of life, love, and the inevitability of change. The narrative leaves readers contemplating the fragile nature of existence and the profound connections that bind us to one another, even in the face of uncertainty.
By Walter de la Mare · First published 1921 · Genre: Fantasy, Poetry, Literary Fiction · 23 chapters · 101,352 words
"Look not for roses in Attalus his garden, or wholesome flowers in a venomous plantation. And since there is scarce any one bad, but some others are the worse for him; tempt not contagion by proximity and hazard not thyself in the shadow of corruption. " - Sir Thomas Browne
The Return is listed on Textopian as a novel by Walter de la Mare, dated 1921 CE.
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Fantasy · Mystery · Supernatural · Psychological Thriller · Coming-of-Age · Gothic Fiction · Literary Fiction · Symbolism · Imagery · Atmosphere · Isolation · Identity Crisis