The Third Violet by Stephen Crane — Read

Near the door the stout proprietress sat intrenched behind the cash-box in a Parisian manner. She looked with practical amiability at her guests, who dined noisily and with great fire, discussing momentous problems furiously, making wide, maniacal gestures through the cigarette smoke. Meanwhile the little handful of waiters ran to and fro wildly. Imperious and importunate cries rang at them from all directions. "Gustave! Adolphe! " Their faces expressed a settled despair. They answered calls, commands, oaths in a semi-distraction, fleeting among the tables as if pursued by some dodging animal. Their breaths came in gasps. If they had been convict labourers they could not have surveyed their positions with countenances of more unspeakable injury. Withal, they carried incredible masses of dishes and threaded their ways with skill. They served people with such speed and violence that it often resembled a personal assault. They struck two blows at a table and left there a knife and fork. Then came the viands in a volley. The clatter of this business was loud and bewilderingly rapid, like the gallop of a thousand horses.

In a remote corner a band of mandolins and guitars played the long, sweeping, mad melody of a Spanish waltz. It seemed to go tingling to the hearts of many of the diners. Their eyes glittered with enthusiasm, with abandon, with deviltry. They swung their heads from side to side in rhythmic movement. High in air curled the smoke from the innumerable cigarettes. The long, black claret bottles were in clusters upon the tables. At an end of the hall two men with maudlin grins sang the waltz uproariously, but always a trifle belated.