Explore "The Secret City" by Hugh Walpole on Textopian. Read with annotations and highlights.
I thought that night, as I lay cosily in my dusky room, of those old stories by Wilkie Collins that had once upon a time so deeply engrossed my interest -- stories in which, because someone has disappeared on a snowy night, or painted his face blue, or locked up a room and lost the key, or broken down in his carriage on a windy night at the crossroads, dozens of people are involved, diaries are written, confessions are made, and all the characters move along different roads towards the same lighted, comfortable Inn. That is the kind of story that intrigues me, whether it be written about outside mysteries by Wilkie Collins or inside mysteries by the great creator of The Golden Bowl or mysteries of both kinds, such as Henry Galleon has given us. I remember a friend of mine, James Maradick, once saying to me, "It's no use trying to keep out of things. As soon as they want to put you in -- you're in. The moment you're born, you're done for."
It's just that spectacle of some poor innocent being suddenly caught into some affair, against his will, without his knowledge, but to the most serious alteration of his character and fortunes, that one watches with a delight almost malicious -- whether it be The Woman in White, The Wings of the Dove, or The Roads that offer it us. Well, I had now to face the fact that something of this kind had happened to myself.