
A Defence of Dramatic Unities is a book written by G.K. Chesterton in which he argues for the importance of maintaining traditional dramatic unities in literature and drama. He believes that these unities, such as unity of time, place, and action, are essential to creating a cohesive and meaningful work of art. The book is considered an important contribution to literary criticism and has influenced many writers and critics since its publication.
By G.K. Chesterton · First published 1903 · Genre: Literary Criticism, Philosophy, Essay · 1,761 words
Injustice is done to the old classical rules of artistic criticism, because we do not treat them as artistic criticism. We first turn them into police regulations, and then complain of them for being so. But I suspect, with the submission proper to ignorance, that the art canons of Aristotle and others were much more generally artistic, in the sense of atmospheric. We allow a romantic critic to be as dogmatic as Ruskin, and still feel that he is not really being so despotic as Boileau. If a modern, like Maeterlinck, says that all drama is in an open door at the end of an empty passage, we do not take it literally, like a notice requiring an extra exit in case of fire. But if an ancient, like Horace, says that all drama demands a closed door, which shall hide Medea while she murders her children, then we do receive it as something rigid and formal, like the order to close the shutters on Zeppelin nights. Now how far the classical critics took their rules absolutely I do not know.
A Defence of Dramatic Unities is listed on Textopian as an essay by G.K. Chesterton, dated 1903 CE.
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drama · theater · literary criticism · unities · Aristotle · tragedy · comedy · structure · narrative · philosophy · art · aesthetics