
The Man Who Was Thursday by G.K. Chesterton is a novel that follows the adventures of seven anarchists who are actually undercover detectives trying to infiltrate and bring down a secret society called the Central Anarchist Council. The story explores themes of identity, morality, and the nature of good and evil.
By G.K. Chesterton · First published 1903 · Genre: Literary Criticism, Philosophy, Drama · 1,999 words
When "Cyrano de Bergerac" was published, it bore the subordinate title of a heroic comedy. We have no tradition in English literature which would justify us in calling a comedy heroic, though there was once a poet who called a comedy divine. By the current modern conception, the hero has his place in a tragedy, and the one kind of strength which is systematically denied to him is the strength to succeed. That the power of a man's spirit might possibly go to the length of turning a tragedy into a comedy is not admitted; nevertheless, almost all the primitive legends of the world are comedies, not only in the sense that they have a happy ending, but in the sense that they are based upon a certain optimistic assumption that the hero is destined to be the destroyer of the monster.
Rostand is listed on Textopian as a short story by G.K. Chesterton, dated 1903 CE.
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poetry · drama · theater · French literature · romanticism · philosophy · heroism · imagination · art · identity · conflict · love