Là-Bas

Là-Bas by Joris-Karl Huysmans (1891)

The narrative follows a character, Durtal, who is deeply engaged in exploring the life of Gilles de Rais, a historical figure infamous for his heinous crimes. The story unfolds through Durtal's conversations with his friend Des Hermies, who expresses disdain for the naturalism prevalent in contemporary literature, arguing for a more spiritual approach to art and storytelling. Durtal grapples with his own literary theories and the limitations of naturalism, seeking a balance between the corporeal and the spiritual in his writing. As Durtal delves into the life of Gilles de Rais, he uncovers the complexities of the man's character, juxtaposing his noble beginnings as a brave captain and ally of Joan of Arc with his later descent into depravity and sadism. The narrative explores themes of mysticism, the occult, and the nature of evil, as Durtal contemplates how a man of such promise could become a monster. The story is interspersed with discussions on the nature of art, the role of the artist, and the societal influences that shape individuals. Durtal's reflections on the past lead him to consider the spiritual void of modernity, contrasting it with the fervent beliefs and passions of the Middle Ages. He becomes increasingly fascinated by the supernatural elements surrounding Gilles de Rais, including the influence of sorcery and the demonic. Durtal's personal life intertwines with his literary pursuits as he navigates a burgeoning correspondence with a mysterious woman, who initially captivates him with her passionate letters. This relationship serves as a catalyst for Durtal's introspection, revealing his desires and fears. The woman, later revealed to be Hyacinthe Chantelouve, complicates Durtal's emotional landscape, as he grapples with the implications of their potential meeting. The narrative culminates in Durtal's exploration of the darker aspects of human nature, as he seeks to understand the motivations behind Gilles de Rais's horrific actions. The story raises questions about the nature of evil, the influence of societal and spiritual forces, and the struggle for redemption in a world rife with moral ambiguity. Ultimately, Durtal's journey is one of self-discovery, as he confronts his own beliefs and desires against the backdrop of a historical figure whose life embodies the duality of human existence.

By Joris-Karl Huysmans · First published 1891 · Genre: Literary Fiction, Symbolism, Decadent Literature · 22 chapters · 108,272 words

First lines

"You believe pretty thoroughly in these things, or you wouldn't abandon the eternal triangle and the other stock subjects of the modern novelists to write the story of Gilles de Rais," and after a silence Des Hermies added, "I do not object to the latrine; hospital; and workshop vocabulary of naturalism. For one thing, the subject matter requires some such diction. Again, Zola, in L'Assommoir, has shown that a heavy-handed artist can slap words together hit-or-miss and give an effect of tremendous power. I do not really care how the naturalists maltreat language, but I do strenuously object to the earthiness of their ideas. They have made our literature the incarnation of materialism -- and they glorify the democracy of art!

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Là-Bas is listed on Textopian as a novel by Joris-Karl Huysmans, dated 1891 CE.

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Decadence · Gothic Fiction · Literary Horror · French Literature · Symbolism · Existentialism · Philosophical Themes · Psychological Insight · Dark Fantasy · Occultism · Satanism · Madness

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