A Parallel

A Parallel by Max Beerbohm (1916)

The narrative unfolds in a club-room reminiscent of a music hall, where members gather to witness a series of staged romantic encounters. The atmosphere is thick with tobacco smoke, and the audience is a mix of eager spectators, primarily men, who seem to derive pleasure from observing the performances of young couples expressing love in exaggerated, theatrical manners. The initial couple, a handsome young man and a pretty girl, engage in a series of love declarations punctuated by intervals for rest, during which they are attended to by friends. Their performances, filled with lyrical expressions of affection, contrast sharply with the subsequent couples, who, though more mature, exhibit a rawer, more intense passion devoid of the earlier couple's charm. The audience's reactions range from enthusiastic applause to critical murmurs, reflecting their vested interest in the romantic displays. The protagonist reflects on the nature of love and violence, drawing a parallel between the staged love-making and the spectacle of prize-fighting. He critiques the societal norms that allow for such performances, suggesting that both love and fighting are primal instincts that have been commodified for public entertainment. He questions the morality of spectatorship, likening the audience's role to that of ancient Romans watching gladiators, and posits that society is caught in a transitional phase between barbarism and civilization. The protagonist's musings reveal a disdain for the calculated nature of both love and violence as they are presented in this context. He argues that the essence of these instincts is being lost in the performance, reducing genuine emotion to mere spectacle. The narrative ultimately serves as a critique of societal values, exploring themes of authenticity, the commodification of human instincts, and the moral implications of passive observation in the face of primal human experiences.

By Max Beerbohm · First published 1916 · Genre: Satire, Philosophical Fiction, Social Commentary · 1,299 words

First lines

The club-room looked very like the auditorium of a music-hall. Indeed, that is what it must once have been. But now there were tiers of benches on the stage; and on these was packed a quarter or so of the members and their friends. The other three-quarters or so were packed opposite the proscenium and down either side of the hall. And in the middle of this human oblong was a raised platform, roped around. Therefrom, just as I was ushered to my place, a stout man in evening dress was making some announcement. I did not catch its import; but it was loudly applauded. The stout man -- most of the audience indeed, seemed to have put on flesh -- bowed himself off, and disappeared from my ken in the clouds of tobacco-smoke that hung about the hall. Almost immediately, two young people, nimbly insinuating themselves through the rope fence, leapt upon the platform. One was a man of about twenty years of age; the other, a girl of about seventeen. She was very pretty; he was very handsome; both were becomingly dressed, with evident aim at attractiveness. They proceeded to opposite corners of the platform.

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A Parallel is listed on Textopian as a short story by Max Beerbohm, dated 1916 CE.

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Satire · Humor · Social Commentary · Literary Fiction · Short Stories · English Literature · 20th Century Literature · Absurdism · Dark Comedy · Cultural Critique · Intellectual Humor · Academic Satire

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