Colours by Samuel Taylor Coleridge

Name: Colours
Author: Samuel Taylor Coleridge

The work explores the relationship between colors and numerical systems, particularly focusing on the heptad as a framework for understanding finite things. It posits that colors can be categorized and understood through a series of relationships and transformations, beginning with primary colors and their combinations. The author introduces a structured approach to color theory, where colors are represented as elements of a system that can be analyzed mathematically. The heptad is presented as the largest formula for finite things, while the pentad serves as the smallest. The tetrad is identified as a divine formula, linking it to the concept of the Trinity, suggesting a metaphysical underpinning to the understanding of colors. The primary colors are defined, with red being the foundational color. The work then discusses the synthesis and antithesis of colors, illustrating how combinations create new colors, such as orange from red and yellow, and green from yellow and blue. The author emphasizes the importance of understanding these relationships to grasp the essence of color. The text delves into the philosophical implications of color perception, suggesting that colors are not merely visual phenomena but are deeply connected to broader concepts of existence and divinity. The exploration of colors is framed within a larger metaphysical context, inviting readers to consider the significance of color beyond its aesthetic value. Ultimately, the work serves as a theoretical framework for understanding colors through a systematic and philosophical lens, merging art, science, and spirituality into a cohesive exploration of perception and reality.

By Samuel Taylor Coleridge · First published 1817 · Genre: Philosophical, Symbolism, Metaphysical · 252 words

First lines

Colours may best be expressed by a heptad, the largest possible formula for / things finite, as the pentad is the smallest possible form. Indeed, the / heptad of things finite is in all cases reducible to the pentad. The / adorable tetractys, or tetrad, is the formula of God; which, again, is / reducible into, and is, in reality, the same with, the Trinity. Take / colours thus: --

/ Prothesis, / Red, or Colour [Greek: kat exoch_en]. / ^ / /1 / /

Open reader

What this Textopian page supports

Colours is listed on Textopian as an essay by Samuel Taylor Coleridge, dated 1817 CE.

This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.

Work type: Essay
Author: Samuel Taylor Coleridge
Date: 1817 CE
Language: English
Genres: Philosophical, Symbolism, Metaphysical, Poetry, Theological
Length: 252 words
Structure: 1 section, 3 paragraphs
Reading fit: Standard (8th-9th Grade)

Good citation fit

Work identity for Colours by Samuel Taylor Coleridge
Canonical title URL and first readable passage URL
Genre and topic classification from the Textopian catalog
Readability and classroom-planning context
Passage-specific claims should cite the exact /read/ URL for the relevant chapter or paragraph

Similar titles

Genres

Philosophical — The text explores abstract concepts related to colors and their symbolic meanings, reflecting on deeper philosophical ideas.
Symbolism — Colors are used symbolically to represent various ideas and emotions, aligning with the principles of symbolism in literature.
Metaphysical — The work delves into metaphysical themes, discussing the nature of existence and the relationship between colors and the divine.
Poetry — The writing style employs poetic elements, including rhythm and structure, characteristic of Coleridge's broader literary style.