
The work critiques the limitations of contemporary scientific theories, particularly in geology and chemistry, arguing that many hypotheses lack a solid factual basis. It contrasts the approaches of Newton and Descartes, emphasizing the necessity of grounding theories in observable phenomena. The author asserts that while some aspects of Lyell's geological system are valid, it fails to encompass the entirety of truth, reflecting a broader critique of systems that do not integrate all relevant facts. The text also explores the nature of light, suggesting a duality in its properties, and posits that the essence of Gothic architecture embodies an imaginative infinity, surpassing Greek styles in its sublime execution. The author expresses admiration for specific artworks, highlighting their beauty and the emotional responses they evoke, while critiquing the aesthetic sensibilities of other cultures. The narrative intertwines personal reflections on experiences at Cambridge, emphasizing the joy of intellectual engagement and the importance of maintaining a sense of wonder throughout life. It concludes with a commentary on the power of genius to evoke fresh perceptions of familiar objects, illustrating the transformative potential of art and nature on human experience.
By Samuel Taylor Coleridge · First published 1834 · Genre: Philosophy, Criticism, Science · 1,189 words
It seems to me a great delusion to call or suppose the imagination of a subtle fluid, or molecules penetrable with the same, a legitimate hypothesis. It is a mere _suffiction_. Newton took the fact of bodies falling to the centre, and upon that built up a legitimate hypothesis. It was a subposition of something certain. But Descartes' vortices were not an hypothesis; they rested on no fact at all; and yet they did, in a clumsy way, explain the motions of the heavenly bodies. But your subtle fluid is pure gratuitous assumption; and for what use? It explains nothing.
Lyell's Geology and Gothic Architecture is listed on Textopian as an essay by Samuel Taylor Coleridge, dated 1834 CE.
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Geology · Gothic Architecture · Samuel Taylor Coleridge · Imagination · Theory · Hypothesis · Newton · Descartes · Chemistry · Geometry · Sublimity · Beauty