
The work critiques Rosetti's interpretation of Dante, arguing that while some of his insights are valid, they extend beyond reasonable limits. The author questions how a poet of Dante's caliber could have crafted the allegory as Rosetti suggests, emphasizing the clear distinction between allegorical meaning and vivid imagery in Dante's work. The text discusses the nature of laughter, asserting that it cannot simply be reduced to contempt. It describes laughter as a physiological response, a sudden convulsion that interrupts pleasure to prevent discomfort. The author references Aristotle's definition of laughter, highlighting that it arises from surprise at the unexpected, provided that this surprise does not involve serious danger. The analysis further explores the relationship between farce and tragedy, suggesting that farce often shares a closer essence with tragedy than with traditional comedy. This connection underscores the complexity of emotional responses in literature, indicating that the boundaries between genres can be fluid. Overall, the critique emphasizes the need for a balanced understanding of Dante's work, advocating for a recognition of both its allegorical depth and its aesthetic qualities. The author calls for a more nuanced interpretation that respects the intricacies of Dante's poetic expression.
By Samuel Taylor Coleridge · First published 1853 · Genre: Literary Criticism, Philosophy, Poetry · 200 words
Rosetti's view of Dante's meaning is in great part just, but he has pushed it beyond all bounds of common sense. How could a poet -- and such a poet as Dante -- have written the details of the allegory as conjectured by Rosetti? The boundaries between his allegory and his pure picturesque are plain enough, I think, at first reading.
Rosetti on Dante is listed on Textopian as an essay by Samuel Taylor Coleridge, dated 1853 CE.
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Dante · Rosetti · Coleridge · literary analysis · allegory · poetry · interpretation · humor · tragedy · farce · comedy · philosophy