
The poem reflects on the grave of a notable literary figure, symbolized as a "little cage" overrun by nature, suggesting both decay and the passage of time. The imagery of moss and weeds conveys neglect, while the reference to "Currer Bell" alludes to the author's pen name, emphasizing her identity as a writer. The speaker observes the natural world, noting how other birds migrate to warmer climates, paralleling the subject's departure from life. However, the return is marked by a unique distinction, as the speaker acknowledges the absence of the nightingale, a symbol of poetic inspiration, in the familiar Yorkshire landscape. The poem transitions to a more profound reflection on suffering and transcendence, invoking Gethsemane to illustrate the anguish endured by the subject. The mention of "asphodel," a flower associated with the afterlife, suggests a journey beyond earthly pain. The sounds of Eden symbolize peace and divine presence, contrasting with the earlier imagery of decay. The concluding lines celebrate the subject's entrance into heaven, marking a significant moment of recognition and reverence for her contributions to literature. Overall, the work intertwines themes of mortality, legacy, and the enduring impact of artistic expression.
By Emily Dickinson · First published 1850 · Genre: Poetry, Elegy, Literary Criticism · 157 words
All overgrown by cunning moss, All interspersed with weed, The little cage of 'Currer Bell,' In quiet Haworth laid.
This bird, observing others, When frosts too sharp became, Retire to other latitudes, Quietly did the same,
But differed in returning; Since Yorkshire hills are green, Yet not in all the nests I meet Can nightingale be seen.
Gathered from many wanderings, Gethsemane can tell Through what transporting anguish She reached the asphodel!
Charlotte Brontë's Grave is listed on Textopian as a poem by Emily Dickinson, dated 1850 CE.
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