
The poem explores themes of mortality and the afterlife, with a focus on the speaker's longing for transcendence and union with a divine presence. The language is characterized by its concise and enigmatic style, which creates a sense of intimacy and immediacy. The poem's structure and imagery are often fragmented and disjointed, reflecting the speaker's disconnection from the world around them. The poem can be seen as a meditation on the nature of faith and spirituality, with the speaker expressing a deep desire for connection with something greater than themselves. However, this desire is tempered by a sense of uncertainty and doubt, which is reflected in the poem's ambiguous language and imagery. Ultimately, the poem presents a complex and nuanced exploration of the human experience, one that is marked by both hope and despair. The speaker's longing for transcendence is a powerful expression of the human desire to connect with something greater than ourselves, even as we confront the limitations and uncertainties of our own mortality.
By Emily Dickinson · First published 1890 · Genre: Poetry, Lyric, Metaphysical · 76 words
Except the heaven had come so near, So seemed to choose my door, The distance would not haunt me so; I had not hoped before.
But just to hear the grace depart I never thought to see, Afflicts me with a double loss; 'T is lost, and lost to me.
Except the Heaven had Come so Near is listed on Textopian as a poem by Emily Dickinson, dated 1890 CE.
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Poetry · American Literature · 19th Century · Nature Imagery · Spirituality · Mortality · Afterlife · Hope · Faith · Existentialism · Philosophy · Symbolism