
The work explores themes of alienation, existentialism, and the complexities of human relationships within a modern, mechanized society. It presents individuals as "human cylinders," suggesting a sense of uniformity and detachment among people. The imagery of dusk and a sunless afternoon evokes a mood of melancholy and introspection, highlighting the emptiness of interactions that lack genuine connection. The narrative reflects on the superficiality of communication, where individuals engage in conversations devoid of true understanding or emotional depth. The mention of "eating without tasting" symbolizes a life lived without savoring experiences, reinforcing the idea of existence as mechanical and unfulfilling. The relationships depicted are fraught with a sense of inadequacy, as love is described as minimal and unexamined, raising questions about the potential for shared happiness amidst personal suffering. The text delves into the struggle for intellectual and emotional connection, portraying a yearning for communion that remains unfulfilled. The metaphor of "leaning brow to brow" suggests an attempt to bridge the gap between individuals, yet the "abyss of the potential" signifies the inherent difficulties in achieving true understanding. The work critiques the limitations of language and expression, emphasizing the disconnect between thought and communication. As the narrative progresses, it introduces the idea of a "whining beast" representing a primal desire to return to a simpler, more instinctual state, contrasting with the aspirations of intellect that reach "among the stars." This duality reflects the tension between the desire for transcendence and the pull of base instincts. Ultimately, the work grapples with the paradox of existence, where the pursuit of meaning and connection can lead to both enlightenment and destruction. The closing lines suggest a profound contemplation of the universe's nature, hinting at the fragility of understanding and the potential consequences of human thought and action. The exploration of these themes invites readers to reflect on their own experiences of connection, isolation, and the search for meaning in a complex world.
By Mina Loy · First published 1923 · Genre: Modernist Poetry, Symbolism, Existentialism · 337 words
The human cylinders Revolving in the enervating dusk That wraps each closer in the mystery Of singularity Among the litter of a sunless afternoon Having eaten without tasting Talked without communion And at least two of us Loved a very little Without seeking To know if our two miseries In the lucid rush-together of automatons Could form one opulent well-being Simplifications of men In the enervating dusk Your indistinctness Serves me the core of the kernel of you When in the frenzied reaching-out of intellect to intellect Leaning brow to brow communicative Over the abyss of the potential Concordance of respiration Shames Absence of corresponding between the verbal sensory And reciprocity Of conception And expression Where each extrudes beyond the tangible One thin pale trail of speculation From among us we have sent out Into the enervating dusk One little whining beast Whose longing Is to slink back to antediluvian burrow And one elastic tentacle of intuition To quiver among the stars The impartiality of the absolute Routs the polemic Or which of us Would not Receiving the holy-ghost Catch it and caging Lose it Or in the problematic Destroy the Universe With a solution.
Human Cylinders is listed on Textopian as a poem by Mina Loy, dated 1923 CE.
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Experimental Poetry · Dadaism · Surrealism · Feminist Literature · Modernism · Stream-of-Consciousness · Imagism · Free Verse · Avant-Garde · Postmodernism · Fragmented Narrative · Disjointed Syntax