
The work explores the nature of genius and the role of critics in evaluating literary merit. It begins with a critique of national biases in literary appreciation, particularly focusing on the English and Scottish perspectives. The author argues that the Scots tend to undervalue English writers, while the English often over-praise foreign authors, leading to an imbalance in literary recognition. The text delves into the characteristics that define true genius, emphasizing the importance of evolution and progression in a work. It contrasts the works of Dryden and Pope, illustrating how Dryden's characters develop throughout the poem, while Pope's characters are presented in a more static manner, with initial descriptions encapsulating their essence and subsequent lines merely serving as evidence of their traits. The author further examines the critical approaches of various literary figures, highlighting the differences between Charles Lamb's insightful critiques of Shakespeare and Hazlitt's more imitative style. This comparison underscores the distinction between genuine critical insight and mere replication of existing ideas. Throughout the work, the author maintains a critical stance on the nature of literary criticism itself, suggesting that true critics should possess a deep understanding of the evolving nature of genius rather than merely reiterating established opinions. The text ultimately advocates for a more nuanced and appreciative approach to both genius and criticism, urging readers to recognize the dynamic interplay between the two.
By Samuel Taylor Coleridge · First published 1907 · Genre: Literary Criticism, Philosophy, Essays · 199 words
I have generally found a Scotchman with a little literature very disagreeable. He is a superficial German or a dull Frenchman. The Scotch will attribute merit to people of any nation rather than the English; the English have a morbid habit of petting and praising foreigners of any sort, to the unjust disparagement of their own worthies.
Genius and Critics is listed on Textopian as an essay by Samuel Taylor Coleridge, dated 1907 CE.
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Genius · Criticism · Literature · Coleridge · English Literature · Character Analysis · Dryden · Pope · Shaftesbury · Buckingham · Timon · Achitophel