
The collection explores the tension between appearance and truth through sonnets that examine the human experience of perception and reality. It delves into themes of love, beauty, and deception, often using classical allusions to highlight the complexities of human nature. Through a nuanced exploration of the relationship between the individual and society, the poems reveal the fragility of human understanding and the ease with which appearances can be deceiving. The sonnets are characterized by their use of traditional forms and language, yet they also exhibit a modernist sensibility in their willingness to challenge conventional notions of truth and beauty.
By Henry Van Dyke · First published 1901 · Genre: Poetry, Romantic, Imagery · 162 words
If on the closed curtain of my sight My fancy paints thy portrait far away, I see thee still the same, by night or day; Crossing the crowded street, or moving bright 'Mid festal throngs, or reading by the light Of shaded lamp some friendly poet's lay, Or shepherding the children at their play, -- The same sweet self, and my unchanged delight.
But when I see thee near, I recognize In every dear familiar way some strange Perfection, and behold in April guise The magic of thy beauty that doth range Through many moods with infinite surprise, -- Never the same, and sweeter with each change.
May, 1904.
Portrait and Reality (Sonnets) is listed on Textopian as a poem by Henry Van Dyke, dated 1901 CE.
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Poetry · Sonnet · Philosophy · Literary Theory · Criticism · Realism · Idealism · Aesthetics · Art · Beauty · Truth · Reality