
The work explores the life of a young girl, Ova, who is trapped in a stifling environment shaped by her governesses and societal expectations. The narrative delves into her perception of life as a harsh and uninviting reality, contrasting the artificial happiness often presented in conventional settings. Ova's experiences are marked by a sense of disillusionment and a yearning for vitality that is absent in her surroundings. The governesses are depicted as conservative figures who respect the status quo, avoiding any engagement with the rawness of life that might disrupt their comfort. They embody a reluctance to confront the chaotic and vibrant aspects of existence, preferring instead to maintain a facade of order and decorum. This creates a stark dichotomy between Ova's inner turmoil and the external world, which is characterized by a monotonous routine and a lack of genuine emotional engagement. The imagery throughout the work is rich and evocative, painting a picture of a grim urban landscape that mirrors Ova's internal struggles. The oppressive atmosphere of London, with its soot-covered trees and lifeless pavements, serves as a backdrop to her feelings of entrapment. The text juxtaposes the dreariness of her environment with fleeting moments of color and beauty, symbolizing her desire for a more vibrant existence. As Ova navigates her world, she grapples with the constraints imposed by her upbringing and the expectations of those around her. The narrative captures her longing for authenticity and connection, highlighting the tension between her aspirations and the limitations of her reality. The work ultimately reflects on the broader themes of individuality, societal norms, and the quest for meaning in a world that often feels devoid of life and joy.
By Mina Loy · First published 1923 · Genre: Modernist Poetry, Symbolism, Feminist Literature · 378 words
Ova knows none of these pretty artifices of happy nurseries for foisting illusive sops on the untamable brute called Life For her the irredeemable anaemia of hour upon hour devoid of invitation to vitality drifts through her arteries Changed to her Mother's vagaries her Nurses and governesses pinch -- faced conservatives respect Life they let it alone lest it discomfort them before the awful comfort of the grave save them They have none of the elite audacity to tease its slumberous ferocity with a felicitous humour that sets it at defiance They never accompany its growls with clarinettes She is laid in London's under -- lap of unutterable lapidary -persistance of pavements into distance The grey air stricken with trees whose vernal hair is spoiled with soot The flux of Life she flows on of gruesome inner and outer architecture and dingy damask A twilit turbulence of routine in coma shot with stranded rockets of curative colour The ghoulish clouds hide God who should have made the world a musical -- box of coloured glass growing like gilly -- flowers and Phlox- -- - -- - -- with butterfly -- winged cherubim warbling in low -- branched fruit trees
Ova has Governesses is listed on Textopian as a poem by Mina Loy, dated 1923 CE.
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Experimental Fiction · Modernist Literature · Stream-of-Consciousness · Feminist Themes · Psychoanalytic Theory · Autobiographical Elements · Fragmented Narrative · Non-Linear Structure · Playful Language · Wordplay · Satire · Social Commentary