
The narrative centers on a priest grappling with his past desires and current responsibilities. He reflects on his former humanity, particularly his attraction to a woman named Susana San Juan, whose beauty haunts him. During Mass, he struggles to maintain focus, his thoughts drifting to sensual memories that conflict with his spiritual duties. As he performs the rituals, he experiences a profound internal conflict, torn between his role as a priest and his lingering desires. The church, a place of worship, becomes a backdrop for his turmoil, filled with the sounds of swallows and the silence of the few faithful present. He recalls moments of intimacy and beauty, juxtaposed with his commitment to a life of chastity and service. The priest's thoughts are interspersed with sensory details, such as the taste of food and the warmth of the church, which further emphasize his human needs and desires. He grapples with feelings of guilt and self-reproach, seeking forgiveness while simultaneously indulging in memories of Susana. As night approaches, he prepares for a secret task, indicating a duality in his existence—publicly a man of God, privately a man burdened by unfulfilled desires. The narrative explores themes of temptation, the struggle between spiritual and earthly desires, and the complexities of human emotion within the confines of religious duty. The priest's journey reflects a broader commentary on the nature of faith, love, and the human condition.
By Juan Rulfo · First published 1949 · Genre: Literary Fiction, Magical Realism, Religious Fiction · 826 words
"Same as yesterday," said the father. "The same smile."
He gathered his things and returned to continue Mass. His head moved back and forth, paying no mind to his body's movement. And suddenly he realized he was thinking about his body. Or perhaps not about his but rather about that of Susana San Juan, who had revealed her naked breasts, floating in the warm air, and the beginning of her waist, there where all the sins of men are sewn.
Same as Yesterday is listed on Textopian as a short story by Juan Rulfo, dated 1949 CE.
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Mexican Literature · Magical Realism · Short Story Collection · Rural Setting · Poverty · Social Commentary · Family Dynamics · Isolation · Loneliness · Hopelessness · Futility · Existential Crisis