London Models by Oscar Wilde (1879)
The work explores the evolution and characteristics of professional models in the art world, particularly focusing on their role in the context of modern art. It begins by noting that the concept of a professional model is a recent development, absent in ancient cultures like Greece. The text categorizes models by nationality, highlighting the strengths and weaknesses of each group. Italian models are praised for their grace and beauty, while French models are noted for their intellectual engagement and expressiveness. English models, however, are depicted as less picturesque and more indifferent to art, primarily motivated by financial gain. The narrative describes the typical English model as a young woman, often lacking artistic knowledge, who poses for various artists without much concern for the artistic process. Their physical attributes are emphasized, with a focus on their prettiness and punctuality, while their intellectual engagement with art is deemed minimal. The text also touches on the dynamics between models and artists, including the social interactions and relationships that can develop. Male models are discussed as a separate category, with descriptions of their varying appearances and the challenges in finding suitable candidates. The work contrasts the professional models with other types of posers, such as acrobats, who bring a different energy and aesthetic to the art world. The influence of models on English painting is critiqued, suggesting that while they provide a necessary practice for artists, they can also lead to artificiality and a lack of engagement with the broader realities of life. The author argues that the reliance on models can result in a narrow artistic vision, as artists may become too focused on the posed figure rather than the dynamic nature of life itself. Ultimately, the work presents a nuanced view of the role of models in art, acknowledging their contributions while also critiquing the limitations they impose on artistic expression. The text calls for a distinction between the study of the human form and the use of models for costume representation, advocating for a more authentic engagement with life in artistic practice.
By Oscar Wilde · First published 1879 · Genre: Essay, Social Commentary, Art Criticism · 3,087 words
First lines
_English Illustrated Magazine_, January 1889.
What this Textopian page supports
London Models is listed on Textopian as a short story by Oscar Wilde, dated 1879 CE.
This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.
- Work type: Short story
- Author: Oscar Wilde
- Date: 1879 CE
- Language: English
- Genres: Essay, Social Commentary, Art Criticism, Humor, Cultural Critique
- Length: 3,087 words
- Structure: 1 section, 17 paragraphs
- Reading fit: Standard (8th-9th Grade)
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Discussion starters
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Similar titles
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Genres
- Essay — The work is a critical examination of the role and characteristics of professional models in art, typical of essay writing.
- Social Commentary — It provides insights into societal views on art, models, and the art community in London.
- Art Criticism — The text critiques the influence of models on artistic practices and the nature of modern art.
- Humor — Wilde employs wit and irony to highlight the absurdities of the modeling profession and artistic expectations.
Tags
Satire · Social Commentary · Comedy · Literary Fiction · English Literature · 19th Century Literature · London Setting · Upper Class Life · Class Satire · Moral Commentary · Philosophical Themes · Existentialism