The Indispensable East

The Indispensable East by Oscar Wilde

The work explores the dichotomy between Eastern and Western artistic traditions, emphasizing the superiority of Orientalism in decorative arts. It argues that Eastern art, characterized by its rejection of imitation and embrace of artistic convention, leads to imaginative and beautiful creations. In contrast, Western art, which often seeks to replicate nature, results in vulgarity and lack of originality. Historical examples illustrate how periods of strong Eastern influence, such as in Byzantium, Sicily, and Spain, produced exceptional artistic achievements. The text critiques modern Western art forms, such as tapestry and stained glass, for their adherence to realism and lack of beauty. It suggests that a return to Eastern methods and philosophies is necessary for revitalizing Western art, advocating for an artistic approach that prioritizes creativity over mere representation. The central thesis posits that true artistic education should stem from an understanding of art itself rather than the natural world.

By Oscar Wilde · First published 1887 · Genre: Essays, Art Criticism, Cultural Commentary · 403 words

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What is true about the drama and the novel is no less true about those / arts that we call the decorative arts. The whole history of these arts / in Europe is the record of the struggle between Orientalism, with its / frank rejection of imitation, its love of artistic convention, its / dislike to the actual representation of any object in Nature, and our own / imitative spirit. Wherever the former has been paramount, as in / Byzantium, Sicily and Spain, by actual contact, or in the rest of Europe / by the influence of the Crusades, we have had beautiful and imaginative / work in which the visible things of life are transmuted into artistic / conventions, and the things that Life has not are invented and fashioned / for her delight. But wherever we have returned to Life and Nature, our / work has always become vulgar, common and uninteresting. Modern / tapestry, with its aerial effects, its elaborate perspective, its broad / expanses of waste sky, its faithful and laborious realism, has no beauty / whatsoever. The pictorial glass of Germany is absolutely detestable. We / are beginning to weave possible carpets in England, but only because we / have returned to the method and spirit of the East. Our rugs and carpets / of twenty years ago, with their solemn depressing truths, their inane / worship of Nature, their sordid reproductions of visible objects, have / become, even to the Philistine, a source of laughter. A cultured / Mahomedan once remarked to us, "You Christians are so occupied in / misinterpreting the fourth commandment that you have never thought of / making an artistic application of the second. " He was perfectly right, / and the whole truth of the matter is this: The proper school to learn art / in is not Life but Art. -- _The Decay of Lying_.

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Literary Fiction · Philosophical Themes · Social Commentary · Satire · Humor · Irony · Existentialism · Absurdism · Critique of Society · Critique of Culture · Critique of Politics · Morality

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