
The work explores themes of longing, distance, and the ephemeral nature of joy and love. It reflects on the speaker's feelings of separation from an idealized figure, evoking a sense of nostalgia and unattainable beauty. The imagery suggests a world where emotional experiences are disconnected from reality, emphasizing a yearning for a past that is both cherished and lost. The speaker grapples with the idea that true joy and love are inaccessible, existing in a realm beyond pain and fear. The figure described is portrayed as ethereal, with physical attributes that are not striking but possess a deeper significance. The act of her playing with rings symbolizes a detachment from the speaker, reinforcing the theme of unreciprocated affection. Throughout the work, there is a tension between the desire for connection and the recognition of its impossibility. The speaker's reflections are imbued with a sense of melancholy, as they contemplate the fleeting nature of happiness and the inevitability of separation. The notion of time plays a crucial role, suggesting that the speaker's feelings may only be realized in a distant future, beyond the constraints of the present. Ultimately, the work encapsulates a profound sense of yearning for an ideal that remains perpetually out of reach, highlighting the complexities of human emotion and the interplay between memory, desire, and reality.
By Fernando Pessoa · First published 1925 · Genre: Lyric Poetry, Modernist Poetry, Symbolism · 147 words
Far away, far away, / Far away from here. / There is no worry after joy / Or away from fear / Far away from here.
Her lips were not very red, / Nor her hair quite gold.
Her hands played with rings.
She did not let me hold / Her hands playing with gold.
Existentialism · Philosophy · Literary Fiction · Portuguese Literature · Modernism · Stream-of-Consciousness · Inner Monologue · Psychological Insight · Self-Discovery · Identity Crisis · Alienation · Loneliness
Meantime is listed on Textopian as a poem by Fernando Pessoa, dated 1925 CE.
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