
The work explores themes of identity, urban existence, and the complexities of human relationships. It presents a fragmented view of a city, characterized by a cacophony of voices and experiences. The speaker navigates through a landscape filled with diverse characters, each representing different facets of society. The imagery evokes a sense of disconnection and introspection, highlighting the struggle for authenticity amidst societal expectations. The city serves as a backdrop for the exploration of personal and collective identities, where the speaker grapples with their own sense of self in relation to others. The use of vivid and often jarring language reflects the chaotic nature of urban life, emphasizing the tension between individuality and conformity. The interactions depicted are laden with social commentary, addressing issues of race, communication, and the human condition. Throughout the work, there is a sense of yearning for connection, yet an acknowledgment of the barriers that exist. The speaker's observations reveal a deep awareness of the complexities of human interaction, marked by silence and unspoken truths. The imagery of masks and hybrid identities suggests a fluidity in self-perception, challenging fixed notions of race and belonging. The narrative unfolds in a non-linear fashion, mirroring the fragmented experiences of city life. The interplay of sound and silence underscores the theme of communication, both verbal and non-verbal, as the speaker navigates through a world filled with noise yet marked by isolation. The work ultimately invites reflection on the nature of existence within a bustling metropolis, where the search for meaning and connection persists amidst the chaos.
By Mina Loy · First published 1917 · Genre: Modernist Poetry, Experimental Literature, Urban Literature · 250 words
The city Wedged between impulse and unfolding Bridged By diurnal splintering Of egos Round The aerial news-kiosk Where you Statically Hob-nob With a nigger And a deaf-mute Of introspection Plopping finger In Stephen's ink Made you hybrid-negro A couple of manuscriptural erasures And here we have your deaf-mute Beseech him He will never with-hold so Completely As the tattle of tongue-play Or your incognito Lit cavities in the face of the city Open their glassy embrace to receive you In your mask of unborn ebony And the silence of your harangue The tight-rope stretched above commotion Frays to tow To the step tentative fend shadows are yours for the taking Where the mono-rabble Plays the one-stringed banjo On the noise of its ragged heart Inaudible In the shattering city Alien as your aboriginal In the levelling dirt --
To You is listed on Textopian as a poem by Mina Loy, dated 1917 CE.
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Experimental Poetry · Modernist Literature · Surrealism · Feminist Writing · Avant-Garde · Stream-of-Consciousness · Imagism · Free Verse · Dadaism · Anti-Traditional · Playful Language · Wordplay